SPIELMAN and PICQUERY peer into the cell at GRINDELWALD. As they reach the door, ABERNATHY turns and acknowledges them. It’s time for him to answer for his crimes in Europe. PICQUERY We’d be more than happy to keep him here in custody. you’ll be glad to be rid of him, I expect. MACUSA, CORRIDOR BETWEEN CELLS-SHORTLY AFTER- NIGHT PRESIDENT SERAPHINA PICQUERY and RUDOLPH SPIELMAN walk at pace toward an ominous-looking door past endless pairs of guards. A baby Chupacabra-part lizard, part homunculus, a blood-sucking creature of the Americas-is chained to GRINDELWALD’S chair. ABERNATHY peers in at GRINDELWALD from the corridor. MACUSA BASEMENT, BARE, BLACK-WALLED ROOM-NIGHT The long-haired, bearded GRINDELWALD sits motionless, magically fixed to a chair. NEW YORK, AMERICAN MINISTRY OF MAGIC-1927-NIGHT AERIAL SHOT of New York and MACUSA building. All of them are being tested to their core, navigating a world that is becoming ever more complex and dangerous-a world that, however heightened and magical, in some ways echoes our own across time. Above all, however, it was the characters that captured and beguiled me on that first read they are timeless, enchanting, intriguing.
Whether the thrill of recreating Paris in the late 1920s, wrangling a new collection of wonderful beasts, or exploring an emotional, multi-stranded story with compelling characters and themes, each day of prep and production was always exciting as well as fun. For a filmmaker it offered many gifts and a huge sandpit in which to play. The script felt layered, emotional, and that most precious of things: itself.
#DOWNLOAD FILM FANTASTIC BEAST AND WHERE TO FIND THEM FULL#
I first read Fantastic Beasts: The Crimes of Grindelwald in the spring of 2016, a full year and two months before we began shooting the film. Her storytelling is singular, yet she approaches the filmmaking process as producer and screenwriter with a genuinely collaborative spirit. She knows her characters and her universe inside out, she’s one of the most dynamic thinkers I’ve ever met, and for someone who has enjoyed so much success she is incredibly grounded. I’ve worked with many writers, but no one quite as special as Jo. Foreword by David Yates Fantastic Beasts: The Crimes of Grindelwald The Original Screenplay Glossary of Film Terms Cast & Crew About the Author About the Book Design
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